The poetical works of S.T. Coleridge, ed. Henry Nelson Coleridge (London : W. Pickering, 1834). PR 4470 E34 VICT Rare Books.
Argument
How a Ship having passed the Line was driven by storms to the cold Country towards the South Pole; and how from thence she made her course to the tropical Latitude of the Great Pacific Ocean; and of the strange things that befell; and in what manner the Ancyent Marinere came back to his own Country.
1] First published in Lyrical Ballads, 1798. Almost twenty years later Coleridge, in his Biographia Literaria (chap. XIV), gave an account of the occasion of the poem: "During the first year that Mr. Wordsworth and I were neighbours, our conversations turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and the power of giving the interest of novelty by the modifying colours of imagination. The sudden charm, which accidents of light and shade, which moonlight or sunset diffused over a known and familiar landscape, appeared to represent the practicability of combining both. These are the poetry of nature. The thought suggested itself (to which of us I do not recollect) that a series of poems might be composed of two sorts. In the one, the incidents and agents were to be, in part at least supernatural; and the excellence aimed at was to consist in the interesting of the affections by the dramatic truth of such emotions, as would naturally accompany such situations, supposing them real. And real in this sense they have been to every human being who, from whatever source of delusion, has at any time believed himself under supernatural agency. For the second class, subjects were to be chosen from ordinary life; the characters and incidents were to be such, as will be found in every village and its vicinity where there is a meditative and feeling mind to seek after them, or to notice them, when they present themselves. In this idea originated the plan of the Lyrical Ballads; in which it was agreed, that my endeavours should be directed to persons and characters supernatural, or at least romantic; yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith. Mr. Wordsworth, on the other hand, was to propose to himself as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude we have eyes, yet see not, and hearts that neither feel or understand. With this view I wrote The Ancient Mariner, and was preparing among other poems, The Dark Ladie, and the Christabel in which I should have more nearly realized my ideal, than I had done in my first attempt."
Wordsworth also has recorded an account of the inception of the poem: "The Ancient Mariner was founded on a strange dream, which a friend of Coleridge had, who fancied he saw a skeleton ship, with figures in it. We had both determined to write some poetry for a monthly magazine, the profits of which were to defer the expenses of a little excursion we were to make together. The Ancient Mariner was intended for this periodical, but was too long. I had very little share in the composition of it, for I soon found the style of Coleridge and myself would not assimilate. Beside the lines (in the fourth part)--"And thou art long, and lank, and brown,/As in the ribbed sea-sand--" I wrote the stanza (in the first part) "He holds him with his glittering eye--/ The Wedding-Guest stood still,/ And listens like a three-years child:/ The Mariner hath his will.--" and four or five lines more in different parts of the poem, which I could not now point out. The idea of shooting an albatross was mine; for I had been reading Shelvock's Voyages, which probably Coleridge never saw. I also suggested the reanimation of the dead bodies, to work the ship."
It should be noted that Coleridge revised most of his poems after their first publication; the poems printed here are taken from the 1834 text, which is the final outcome, in many cases, of a sustained creative process. The 1798 text of The Ancient Mariner was deliberately archaic in diction, and spelling; most of the archaisms were removed for the 1800 edition of Lyrical Ballads; the Malta voyage, 1804-6, produced some additional lines and increased precision of phrase; marginal glosses were added in Sibylline Leaves, 1817.
The argument belongs to the 1798 text only. In 1817 Coleridge replaced the Argument by an epigraph taken from Thomas Burnet's Archaeologiae Philosophicae. Translated it reads: "I can easily believe, that there are more Invisible than Visible Beings in the Universe; but who will declare to us the Family of all these, and acquaint us with the Agreements, Differences, and peculiar Talents which are to be found among them? What do they do and where do they live? It is true, human Wit has always desired a Knowledge of these Things, though it has never yet attained it. I will own that it is very profitable, sometimes to contemplate in the Mind, as in a Draught, the Image of the greater and better World; lest the Soul being accustomed to the Trifles of this present Life, should contract itself too much, and altogether rest in mean Cogitations; but, in the mean Time, we must take Care to keep to the Truth, and observe Moderation, that we may distinguish certain Things, and Day from Night."
[Marginal Note Begins] An ancient Mariner meeteth three Gallants bidden to a wedding-feast, and detaineth one. [Note Ends] Back to Line
13] [Marginal Note Begins] The Wedding-Guest is spellbound by the eye of the old seafaring man, and constrained to hear his tale. [Note Ends] Back to Line
23] [Marginal Note Begins] The Mariner tells how the ship sailed southward with a good wind and fair weather, till it reached the line. [Note Ends] Back to Line
33] [Marginal Note Begins] The Wedding-Guest heareth the bridal music; but the Mariner continueth his tale. [Note Ends] Back to Line
41] [Marginal Note Begins] The ship driven by a storm toward the south pole. [Note Ends] Back to Line
55] [Marginal Note Begins] The land of ice, and of fearful sounds where no living thing was to be seen. [Note Ends] Back to Line
63] [Marginal Note Begins] Till a great sea-bird, called the Albatross, came through the snow-fog, and was received with great joy and hospitality. [Note Ends] Back to Line
71] [Marginal Note Begins] And lo! the Albatross proveth a bird of good omen, and followeth the ship as it returned northward through fog and floating ice. [Note Ends] Back to Line
79] [Marginal Note Begins] The ancient Mariner inhospitably killeth the pious bird of good omen. [Note Ends] Back to Line
91] [Marginal Note Begins] His shipmates cry out against the ancient Mariner, for killing the bird of good luck. [Note Ends] Back to Line
97] [Marginal Note Begins] But when the fog cleared off, they justify the same, and thus make themselves accomplices in the crime. [Note Ends] Back to Line
103] [Marginal Note Begins] The fair breeze continues; the ship enters the Pacific Ocean, and sails northward, even till it reaches the Line. [Note Ends] Back to Line
107] [Marginal Note Begins] The ship hath been suddenly becalmed. [Note Ends] Back to Line
119] [Marginal Note Begins] And the Albatross begins to be avenged. [Note Ends] Back to Line
131] [Marginal Note Begins] A Spirit had followed them; one of the invisible inhabitants of this planet, neither departed souls nor angels; concerning whom the learned Jew, Josephus, and the Platonic Constantinopolitan, Michael Psellus, may be consulted. They are very numerous, and there is no climate or element without one or more. [Note Ends] Back to Line
139] [Marginal Note Begins] The shipmates, in their sore distress, would fain throw the whole guilt on the ancient Mariner: in sign whereof they hang the dead sea-bird round his neck. [Note Ends] Back to Line
147] [Marginal Note Begins] The ancient Mariner beholdeth a sign in the element afar off. [Note Ends] Back to Line
157] [Marginal Note Begins] At its nearer approach, it seemeth him to be a ship; and at a dear ransom he freeth his speech from the bonds of thirst. [Note Ends] Back to Line
162] [Marginal Note Begins] A flash of joy; [Note Ends] Back to Line
167] [Marginal Note Begins] And horror follows. For can it be a ship that comes onward without wind or tide? [Note Ends] Back to Line
177] [Marginal Note Begins] It seemeth him but the skeleton of a ship. [Note Ends] Back to Line
183] [Marginal Note Begins] And its ribs are seen as bars on the face of the setting Sun. [Note Ends] Back to Line
185] [Marginal Note Begins] The Spectre-Woman and Death-mate, and no other on board the skeleton ship. [Note Ends] Back to Line
190] [Marginal Note Begins] Like vessel, like crew! [Note Ends] Back to Line
195] [Marginal Note Begins] Death and Life-in-Death have diced for the ship's crew, and she (the latter) winneth the ancient Mariner. [Note Ends] Back to Line
203] [Marginal Note Begins] At the rising of the Moon, [Note Ends] Back to Line
212] [Marginal Note Begins] One after another, [Note Ends] Back to Line
216] [Marginal Note Begins] His shipmates drop down dead. [Note Ends] Back to Line
220] [Marginal Note Begins] But Life-in-Death begins her work on the ancient Mariner. [Note Ends] Back to Line
224] [Marginal Note Begins] The Wedding-Guest feareth that a Spirit is talking to him; [Note Ends] Back to Line
230] [Marginal Note Begins] But the ancient Mariner assureth him of his bodily life, and proceedeth to relate his horrible penance. [Note Ends] Back to Line
236] [Marginal Note Begins] He despiseth the creatures of the calm, [Note Ends] Back to Line
240] [Marginal Note Begins] And envieth that they should live, and so many lie dead. [Note Ends] Back to Line
253] [Marginal Note Begins] But the curse liveth for him in the eye of the dead men. [Note Ends] Back to Line
264] [Marginal Note Begins] In his loneliness and fixedness he yearneth towards the journeying Moon, and the stars that still sojourn, yet still move onward; and every where the blue sky belongs to them, and is their appointed rest, and their native country and their own natural homes, which they enter unannounced, as lords that are certainly expected and yet there is a silent joy at their arrival. [Note Ends] Back to Line
272] [Marginal Note Begins] By the light of the Moon he beholdeth God's creatures of the great calm. [Note Ends] Back to Line
282] [Marginal Note Begins] Their beauty and their happiness. [Note Ends] Back to Line
285] [Marginal Note Begins] He blesseth them in his heart. [Note Ends] Back to Line
288] [Marginal Note Begins] The spell begins to break. [Note Ends] Back to Line
297] [Marginal Note Begins] By grace of the holy Mother, the ancient Mariner is refreshed with rain. [Note Ends] Back to Line
309] [Marginal Note Begins] He heareth sounds and seeth strange sights and commo{\-} tions in the sky and the element. [Note Ends] Back to Line
314] fire-flags: presumably a reference to the aurora australis. Back to Line
327] [Marginal Note Begins] The bodies of the ship's crew are [inspirited, S.L.] and the ship moves on; [Note Ends] Back to Line
345] [Marginal Note Begins] But not by the souls of the men, nor by dæmons of earth or middle air, but by a blessed troop of angelic spirits, sent down by the invocation of the guardian saint. [Note Ends] Back to Line
377] [Marginal Note Begins] The lonesome Spirit from the south-pole carries on the ship as far as the Line, in obedience to the angelic troop, but still requireth vengeance. [Note Ends] Back to Line
393] [Marginal Note Begins] The Polar Spirit's fellow-dæmons, the invisible inhabitants of the element, take part in his wrong; and two of them relate, one to the other, that penance long and heavy for the ancient Mariner hath been accorded to the Polar Spirit, who returneth southward. [Note Ends] Back to Line
422] [Marginal Note Begins] The Mariner hath been cast into a trance; for the angelic power causeth the vessel to drive northward faster than human life could endure. [Note Ends] Back to Line
430] [Marginal Note Begins] The supernatural motion is retarded; the Mariner awakes, and his penance begins anew. [Note Ends] Back to Line
442] [Marginal Note Begins] The curse is finally expiated. [Note Ends] Back to Line
464] [Marginal Note Begins] And the ancient Mariner beholdeth his native country. [Note Ends] Back to Line
482] [Marginal Note Begins] The angelic spirits leave the dead bodies, [Note Ends] Back to Line
484] [Marginal Note Begins] And appear in their own forms of light. [Note Ends] Back to Line
514] [Marginal Note Begins] The Hermit of the wood, [Note Ends] Back to Line
527] [Marginal Note Begins] Approacheth the ship with wonder. [Note Ends] Back to Line
535] ivy-tod. "Tod" is an archaic word meaning "bush" or "mass of foliage." Back to Line
546] [Marginal Note Begins] The ship suddenly sinketh. [Note Ends] Back to Line
550] [Marginal Note Begins] The ancient Mariner is saved in the Pilot's boat. [Note Ends] Back to Line
574] [Marginal Note Begins] The ancient Mariner earnestly entreateth the Hermit to shrieve him; and the penance of life falls on him. [Note Ends] Back to Line
582] [Marginal Note Begins] And ever and anon through out his future life an agony constraineth him to travel from land to land; [Note Ends] Back to Line
610] [Marginal Note Begins] And to teach, by his own example, love and reverence to all things that God made and loveth. [Note Ends] Back to Line