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Mark Doty (1953-)

Difference


              1The jellyfish
              2float in the bay shallows
              3like schools of clouds,

              4a dozen identical -- is it right
              5to call them creatures,
              6these elaborate sacks

              7of nothing? All they seem
              8is shape, and shifting,
              9and though a whole troop

            10of undulant cousins
            11go about their business
            12within a single wave's span,

            13every one does something unlike:
            14this one a balloon
            15open on both ends

            16but swollen to its full expanse,
            17this one a breathing heart,
            18this a pulsing flower.

            19This one a rolled condom,
            20or a plastic purse swallowing itself,
            21that one a Tiffany shade,

            22this a troubled parasol.
            23This submarine opera's
            24all subterfuge and disguise,

            25its plot a fabulous tangle
            26of hiding and recognition:
            27nothing but trope,

            28nothing but something
            29forming itself into figures
            30then refiguring,

            31sheer ectoplasm
            32recognizable only as the stuff
            33of metaphor. What can words do

            34but link what we know
            35to what we don't,
            36and so form a shape?

            37Which shrinks or swells,
            38configures or collapses, blooms
            39even as it is described

            40into some unlikely
            41marine chiffon:
            42a gown for Isadora?

            43Nothing but style.
            44What binds
            45one shape to another

            46also sets them apart
            47-- but what's lovelier
            48than the shapeshifting

            49transparence of like and as:
            50clear, undulant words?
            51We look at alien grace,

            52unfettered
            53by any determined form,
            54and we say: balloon, flower,

            55heart, condom, opera,
            56lampshade, parasol, ballet.
            57Hear how the mouth,

            58so full
            59of longing for the world,
            60changes its shape?

Copyright 1993 My Alexandria: Poems by Mark Doty University of Illinois Press

Digital Facsimile of Original Pages

Notes

31] ectoplasm: outer gel-like layer.

42] Isadora Duncan (1878-1927), the renowned American dancer.


Online text copyright © 2009, Ian Lancashire (the Department of English) and the University of Toronto.
This poem cannot be published anywhere without the written consent of Mark Doty.
Published by the Web Development Group, Information Technology Services, University of Toronto Libraries.

Original text: © My Alexandria: Poems by Mark Doty (Urbana and Chicago: University of Illinois Press, 1993): 52-54. PS 3554 O798M9 1993 Robarts Library
Publication date note: Boulevard
RPO poem editor: Ian Lancashire
RP edition: RPO 2000.
Recent editing: 2:2002/4/25

Composition date: 1990
Form: triplets
Rhyme: unrhyming


Other poems by Mark Doty