Notes
1] Adopted informally as the song of the Union army in the American civil war, and sung to the tune of "John Brown's Body."
Howe describes her composition of this hymn in her Reminiscences (pp. 273-75) as follows:
I distinctly remember that a feeling of discouragement came over me as I drew near the city of Washington .... I thought of the women of my acquaintance whose sons or husbands were fighting our great battle; the women themselves serving in the hospitals, or busying themselves with the work of the Sanitary Commission. My husband ... was beyond the age of military service, my eldest son but a stripling; my youngest was a child of not more than two years. I could not leave my nursery to follow the march of our armies, neither had I the practical deftness which the preparing and packing of sanitary stores demanded. Something seemed to say to me, `You would be glad to serve, but you cannot help any one; you have nothing to give, and there is nothing for you to do.' Yet, because of my sincere desire, a word was given me to say, which did strengthen the hearts of those who fought in the field and of those who languished in the prison.We were invited, one day, to attend a review of troops at some distance from the town. While we were engaged in watching the man°uvres, a sudden movement of the enemy necessitated immediate action. The review was discontinued, and we saw a detachment of soldiers gallop to the assistance of a small body of our men who were in imminent danger of being surrounded and cut off from retreat. The regiments remaining on the field were ordered to march to their cantonments. We returned to the city very slowly, of necessity, for the troops nearly filled the road. My dear minister was in the carriage with me, as were several other friends. To beguile the rather tedious drive, we sang from time to time snatches of the army songs so popular at that time, concluding, I think, with
`John Brown's body lies a-mouldering in the ground;
His soul is marching on.'The soldiers seemed to like this, and answered back, "Good for you!" Mr. Clarke said, `Mrs. Howe, why do you not write some good words for that stirring tune?' I replied that I had often wished to do this, but had not as yet found in my mind any leading toward it.
I went to bed that night as usual, and slept, according to my wont, quite soundly. I awoke in the gray of the morning twilight; and as I lay waiting for the dawn, the long lines of the desired poem began to twine themselves in my mind. Having thought out all the stanzas, I said to myself, `I must get up and write these verses down, lest I fall asleep again and forget them.' So, with a sudden effort, I sprang out of bed, and found in the dimness an old stump of a pen which I remembered to have used the day before. I scrawled the verses almost without looking at the paper. I had learned to do this when, on previous occasions, attacks of versification had visited me in the night, and I feared to have recourse to a light lest I should wake the baby, who slept near me. I was always obliged to decipher my scrawl before another night should intervene, as it was only legible while the matter was fresh in my mind. At this time, having completed the writing, I returned to bed and fell asleep, saying to myself, `I like this better than most things that I have written.'"
Online text copyright © 2009, Ian Lancashire (the Department of English) and the University of Toronto.
Published by the Web Development Group, Information Technology Services, University of Toronto Libraries.
Original text: Final Version: Julia Ward Howe, Later Lyrics (Boston: J. E. Tiltor and Co., 1887); found in American Poetry: The Nineteenth Century, Vol. 1 (The Library of America, 1993), pp. 709-10. First version: Julia Ward Howe, Reminiscences 1819-1899 (Boston and New York: Houghton, Mifflin and Co., 1899), between pp. 276 and 277. PS 2018 A4 Robarts Library. For a good partial transcription, see Deborah Pickman Clifford, Mine Eyes Have Seen the Glory: A Biography of Julia Ward Howe (Boston: Little, Brown, and Co., 1979). PS 2018 C55 Robarts Library.
First publication date:
February
1862
Publication date note: (Atlantic Monthly)
RPO poem editor: Ian Lancashire
RP edition: RPO 1998.
Recent editing: 2:2002/3/7
Composition date:
19
November
1861
Composition date note: Willard's Hotel, Washington, D.C., the dawn of Nov. 19, 1861
Rhyme: aaab